![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/06\/Radio_Clasica_RNE_Spain-300x152.png\")
<\/p>\n[et_pb_section fb_built=”1″ admin_label=”Encabezado” module_class=”encabezado” _builder_version=”4.27.0″ _module_preset=”default” background_color=”#5e0011″ use_background_color_gradient=”on” background_color_gradient_type=”circular” background_color_gradient_direction_radial=”left” background_color_gradient_stops=”rgba(0,0,0,0.73) 35%|rgba(0,0,0,0) 100%” background_color_gradient_overlays_image=”on” background_color_gradient_start=”rgba(0,0,0,0.73)” background_color_gradient_start_position=”35%” background_color_gradient_end=”rgba(0,0,0,0)” background_image=”https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/Conrado-Moya-CIMCO-\u00a9Pablo-Piquero-1-scaled.jpeg” background_enable_video_mp4=”off” background_enable_video_webm=”off” min_height=”300px” height=”50vh” custom_css_main_element=”background-position: right 45% top 20%;||display: flex;||flex-direction: column;||justify-content: center;” box_shadow_style=”preset1″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_letter_spacing=”8px” background_layout=”dark” animation_style=”fade” global_colors_info=”{}”]<\/p>\n
MULTIMEDIA<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.16″ _dynamic_attributes=”content” _module_preset=”default” background_layout=”dark” custom_margin=”||1%||false|false” animation_style=”fade” animation_duration=”2000ms” scroll_vertical_motion=”0|50|50|100|0|0|0″ scroll_horizontal_motion=”0|50|50|100|4|0|0″ motion_trigger_start=”top” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+IiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Galer\u00eda Conciertos” module_id=”concerts” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” width_tablet=”” width_phone=”90%” width_last_edited=”on|phone” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][dipi_timeline timeline_active_line_color=”#5e0011″ _builder_version=”4.27.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][dipi_timeline_item admin_label=”Radio Cl\u00e1sica 2025″ ribbon=”June 11, 2025″ timeline_icon=”||divi||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” hover_enabled=”0″ border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop” sticky_enabled=”0″]<\/p>\n
<\/p>\n
Monographic interview and live performance<\/strong> for the program Lunchtime Concert.<\/p>\n <\/span><\/p>\n Interview by Clara S\u00e1nchez <\/strong>\ud83c\udf0d<\/a><\/span><\/p>\n [\/dipi_timeline_item][dipi_timeline_item admin_label=”Scherzo 2025″ ribbon=”February 10, 2025″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 C. Crespo Garc\u00eda [\/dipi_timeline_item][dipi_timeline_item admin_label=”Codalario 2025″ ribbon=”January 27, 2025″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” hover_enabled=”0″ border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop” sticky_enabled=”0″]<\/p>\n <\/span><\/p>\n \u2014 Jos\u00e9 Antonio Cant\u00f3n [\/dipi_timeline_item][dipi_timeline_item admin_label=”La Nueva Espa\u00f1a 2024″ ribbon=”April 20, 2024″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Gonzalo Garci\u0301a Conde<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”Mel\u00f3mano 2024″ ribbon=”April 08, 2024″ timeline_icon=”||fa||900″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” hover_enabled=”0″ border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop” sticky_enabled=”0″]<\/p>\n <\/span><\/p>\n Interview by Susana Castro <\/strong>\ud83c\udf0d<\/a><\/span><\/p>\n [\/dipi_timeline_item][dipi_timeline_item admin_label=”Codalario 2023″ ribbon=”December 25, 2023″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Pablo S\u00e1nchez Quinteiro<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”Frankische Nachrichten 2023″ ribbon=”September 23, 2023″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Thomas Hess<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”El Espectador 2023″ ribbon=”May 20, 2023″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Esteban Bernal Carrasquilla<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”El Correo de Andaluc\u00eda 2023″ ribbon=”February 24, 2023″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Juan Jos\u00e9 Rold\u00e1n<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”ABC 2023″ ribbon=”February 24, 2023″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Carlos Tar\u00edn<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”Scherzo 2022″ ribbon=”October 04, 2022″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Arturo Reverter<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”El Mundo 2022″ ribbon=”October 05, 2022″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Tom\u00e1s Marco<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”Ritmo 2022″ ribbon=”June 09, 2022″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Jos\u00e9 Antonio Cant\u00f3n<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”La Cr\u00f3nica de Badajoz 2022″ ribbon=”February 23, 2022″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Emilio Gonz\u00e1lez Barroso<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”El Correo 2019″ ribbon=”November 29, 2019″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Isabel Urrutia Cabrera<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”Diario de C\u00e1diz 2019″ ribbon=”November 11, 2019″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n <\/span><\/p>\n \u2014 Jes\u00fas S\u00e1nchez-Ferragut<\/strong> [\/dipi_timeline_item][dipi_timeline_item admin_label=”La Provincia LP 2018″ ribbon=”December 17, 2018″ timeline_icon=”||fa||400″ _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ ribbon_text_font=”|600|||||||” button_alignment=”right” border_radii=”on|12px|12px|12px|12px” box_shadow_style=”preset3″ global_colors_info=”{}” timeline_icon_color__hover_enabled=”on|desktop”]<\/p>\n![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logoScherzo-300x66.png\")
<\/p>\n![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2021\/11\/quote.png\")
(…) the marimba leaps, plucks, runs, and pauses. Extraordinary work by Moya<\/strong> (…)<\/p>\n
<\/strong>C\u00f3rdoba, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logo_codalario-300x57.png\"){kind=logo}
<\/p>\n Demonstrating the technical ability of a true virtuoso<\/strong> on such an expressive percussion instrument, Conrado Moya (…) stands as one of the undisputed figures in our country<\/strong> as a transcriber for this instrument, which contributes to his remarkable international projection<\/strong>.<\/p>\n
<\/strong>C\u00f3rdoba, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"La](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logo-lne-300x64.png\"){kind=logo}
<\/p>\n But there was Conrado Moya, who is not just a musician \u2014he also has the qualities of a sorcerer <\/strong>. Between pieces, he wove a narrative that captivated everyone in attendance. He introduced a story about what he was about to perform next. And his unusual dance along the instrument, combined with its magical sound, ultimately completed the tale. (\u2026) The immersive sound of the marimba and the infinite range of emotional tones that Moya is able to draw from it won over the audience<\/strong>. <\/p>\n
Oviedo, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"Mel\u00f3mano\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/MelomanoLogoNEW-300x85.png\")
<\/p>\n Conrado Moya: “My goal has always been to fight for the future of the marimba<\/strong>“<\/p>\n<\/p>\n Few marimbists can move the listener as deeply as Moya does.<\/strong> He is a musician with an innate understanding of the emotional and narrative power of each note. With every strike of his incredibly agile mallets on each bar, he conveys a profound, instinctive perception of the voices and character of the marimba. Ultimately, his skill is not limited to impeccable technique, but extends to a deeper and more emotional understanding of the music.<\/strong> <\/p>\n
Lugo, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/fn_logo-300x87.png\"){kind=logo}
<\/p>\n It was an incredible physical feat in itself, where impressive technical brilliance, absolute concentration, and dedication fused to create a unique auditory experience.<\/strong><\/p>\n
Baden-Wurtenberg, Germany \ud83c\udf0d<\/a><\/span><\/p>\n![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/El_Espectador_2019-10-31-300x45.png\")
<\/p>\n And Conrado Moya\u2019s smile, a warm, wide, and intense smile, made me know that everything was going wonderfully, that the orchestra sounded as he had hoped, and that it allowed him to give an unforgettable recital.<\/strong><\/p>\n
Bogot\u00e1, Colombia \ud83c\udf0d<\/a><\/span><\/p>\n![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/LogoElCorreodeAndalucia-300x76.png\")
<\/p>\n The precision, mastery, and above all, Moya’s enthusiasm<\/strong>, achieved a brilliant and extremely captivating performance.<\/p>\n
Sevilla, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"ABC\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logoABC-300x120.png\")
<\/p>\n Conrado Moya led that heroic struggle in a providential way, with extraordinary clarity, unmatched technique, and complete mastery of all the marimba’s resources.<\/strong><\/p>\n
Sevilla, Espa\u00f1a \ud83c\udf0d<\/a><\/span><\/p>\n<\/p>\n The solo marimba, played with extraordinary virtuosity<\/strong> by Conrado Moya; (…) For almost half an hour, we witnessed the soloist’s display. (…). Moya was magnificent in his rendition of such a demanding and kaleidoscopic score.<\/p>\n
Madrid, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"El](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/El_Mundo_logo-300x40.png\"){kind=logo}
<\/p>\n (…) The discovery of an exceptional soloist<\/strong> (Conrado Moya) and his new ways of playing an instrument that is unusual in symphonic music.<\/p>\n
Madrid, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"Ritmo\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/Ritmo_logo-300x76.png\"){kind=logo}
<\/p>\n The art and musical knowledge<\/strong> of the Alicante-born Conrado Moya could be admired, (…) given the technical mastery displayed by this excellent percussionist and his respect for the composer’s vision<\/strong>, enriching the effects of the piece.<\/p>\n
Alicante, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"\"](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logo-lacronicabadajoz-1-300x85.png\"){kind=logo}
<\/p>\n Impressive and spectacular<\/strong> was the superb performance of the young percussionist from Alicante, (…) displaying evident virtuosity on this complex instrument, handling the four mallets with complete mastery, demonstrating his proven international prestige<\/strong>.<\/p>\n
Badajoz, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"El](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logoElCorreo-300x118.png\")
<\/p>\n Conrado Moya took care of warming up the atmosphere, (…) with more than enough energy to launch the audience into orbit<\/strong>. It couldn\u2019t have started more vigorously. <\/p>\n
Bilbao, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"Diario](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logoDiariodeCadiz-300x79.png\")
<\/p>\n Conrado Moya, who took on the role of soloist, was simply spectacular<\/strong>. (…) He amazed the audience with an exceptional performance on the instrument. <\/p>\n
C\u00e1diz, Spain \ud83c\udf0d<\/a><\/span><\/p>\n![\"La](\"https:\/\/conradomoya.com\/wp-content\/uploads\/2025\/02\/logo-laprovincia-300x53.png\"){kind=logo}
<\/p>\n